Polanski’s Polymorphous Perversity by Adam Baldwin 7 Oct 2009 post a comment Share This: After more than thirty years Oscar winning director Roman Polanski, the infamous child rapist and decades-long fugitive from justice, has been captured. He should be extradited back to California as soon as possible for sentencing. Some of Polanski’s early apologists and defenders are likely now entertaining discomforting second-thoughts about their hasty signing of the petition demanding his immediate release from captivity, as indeed some are also now furiously backpedaling in regret over their indiscretion of speaking out publicly on his behalf. It seems an appropriate time to review some origins and history underlying the modern psychological rationales currently attempting to dilute and evade Polanski’s morally deviant nihilism, and the cognitive dissonance (i.e., “it wasn’t ‘rape’ rape”) introjected by countercultural pseudo-intellectual sycophants. Its members’ values inculcation was, with purposeful destructiveness, initiated early last century by an all-too-often overlooked intellectual vanguard. So, in deconstructing the value of his sexual crimes, Polanski’s sophistic defenders were/are perhaps unwittingly acting out a reflexive cultural pre-conditioning, rather than logic and reason. This is hardly surprising, considering the players, yet the whys and wherefores are important, if only for historical perspective. Consider last century’s counter-revolutionary works by postmodern cultural Marxism’s Intellectual Moron gurus: Such as Alfred C. Kinsey, whose “‘pansexual worldview’ says that all forms of sexual expression are equal and acceptable.” Or, Herbert Marcuse’s Eros & Civilization that, pace William Lind, 'condemned all restrictions on sexual behavior. Calling instead for “polymorphous perversity” that, by the way, helped open the door for aspects of the political correctness movement. Its self-congratulatory, narcissistic foundation for Marcuse’s good human society whose liberating tolerance for “non-procreative Eros” was intended, per Roger Kimball, to help society ‘find great enlightenment and great happiness which was supposed to be the key to utopia’. UC Berkeley professor Martin Jay (2:20 mark…) summarizes that polymorphous perversity “argues that at certain early developmental levels of the human psyche, there was a potential for sexual expression/sexual pleasure which had not yet been organized into the restricted notions of heterosexual sexuality. And that these had some sort of capacity to be reinvigorated.” Correlation: Leading Polanski petitioner Woody Allen has produced intimate knowledge of this Freudian psychoanalytic term (promoted by Marcuse): In his Oscar winning "Annie Hall," Allen's character tells his girlfriend he loves her because she is “polymorphic perverse.” Likewise, in Allen’s "Celebrity" a nubile female model claims to be a “polymorphic perverse,” whom the protagonist finds invigorating. In another of Allen’s films, "Manhattan," he portrays a divorced man dating a high-schooler (Mariel Hemingway). Elsewhere more recently, in American Splendor, Joyce Brabner informs Harvey Pekar that his friend Robert Crumb is “polymorphously perverse.” Coincidence? Not a chance… [youtube c5Z_kZksn3E nolink] -- PJTV’s Bill Whittle neatly condenses this history in "The Truth About The Tyranny of Political Correctness." Polanski’s current intolerant defenders’ politically correct instincts to apply empathy and/or glorify the iconic-old-fugitive-child-rapist might afford some comfort while insulated within the closed-circles of elite and fashionable salons and retreats. However, the practical consequences of such a rash decision -- and any subsequent indignant retreats in faux-‘victimhood’ or mountings to self-anointed moral ‘high ground’ should, for those with any common sense of decency remaining, become imminently difficult, if not impossible to ignore from colleagues, audiences and customers whom reside in the real world down here on Olympus’ lower slopes. The temptation of mercy and patient edification for the clueless (a.k.a., ‘useful idiots’) is strong and perhaps even good. After all, it’s really little more than their ignorant do-gooder idealism that causes them to swoon for perverted totalitarian ideologies. Intolerant, stubbornly divisive, self-satisfied Polanski-apologist glitterati, continue to receive well-earned rejection and scorn from regular Americans. As for child-rapist Polanski: it is long past time for the Crimes & Consequences of this perverted ‘progressive’ icon to be administered once and for all… Guilty as charged.