In response to Of Ace and Seth MacFarlane's 'Boobs':

 That not only was the bit pre-recorded (obviously), but that the reactions of Naomi Watts and Charlize Theron were also pre-recorded?

And staged?

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In response to Of Ace and Seth MacFarlane's 'Boobs':

 That not only was the bit pre-recorded (obviously), but that the reactions of Naomi Watts and Charlize Theron were also pre-recorded?

And staged?

Continue reading

Few things about Ace's interesting rebuttal, starting here:

I didn't like MacFarlane's "Boobs" sketch because it was born of the pleasure of malice -- a genuine pleasure[.]

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In response to Lady Bosses:

Reading the WSJ article in Liz's post and this sentence jumped out at me, "The female boss who not only has zero interest in fostering the careers of women who aim to follow in her footsteps..."

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In response to Klavan Defends Seth MacFarlane's 'Boobs':

I strongly disagree with John's and Andrew Klaven's defense of MacFarlane's Ambush Mortification of actresses at the Oscars.

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David Harsanyi's new book, Obama's Four Horsemen: The Disasters Unleashed by Obama's Reelection is out today.  He posted a hefty excerpt over at Human Events, where he and I are two of the primary horsemen.  Based on this, I think he wants to be Death, and I'll be War.  

He's using the apocalyptic metaphor to describe a very serious paradigm shift covering the eight years of Obama, coupled with the rapid approach of unsustainable government disasters set in motion long before Barack Hussein Obama was born.  Like most great disasters, this one is a matter of timing; it's a one-two-punch that will shatter all the seals of Big Government Revelations at once.  (The Bible calls for seven seals, but due to sequestration we can now afford only five, and they're forged from recycled Solyndra solar panels.)

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Obviously, director Stephen Spielberg's Oscar-winning "Schindler's List" is a loving tribute to his Jewish faith and its perseverance throughout history. But another religious thread that runs through the masterpiece is a Christian one found in the character arc of the film's protagonist, Oskar Schindler (Liam Neeson in the role that should've won him the Oscar).

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Having spent decades working in psychology, a field heavily populated by highly competitive women, I had certainly seen the queen bee before: The female boss who not only has zero interest in fostering the careers of women who aim to follow in her footsteps, but who might even actively attempt to cut them off at the pass.

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