Part II: Modern Cinema Hasn't a Clue About Eroticism

[Part one of this two-part series can be found here.]

Sixteen of the top 20 box office earners have either a G or PG rating which should be a clue that R rated films ( “Titanic” being the exception) don’t do as well yet studios continue to add gratuitous irrelevant sex scenes that ruin the film. Why? It certainly can’t be artistic license because the principal reaction to them is usually-‘Ew!!! Why did they do that?”

Movie-going statistics have dropped significantly among older adults and that’s understandable since most fare today cater to hormonal adolescents without a clue as to the true appeal of sensual art. Yet senior citizens today are former film buffs who would relish worthy theatrical offerings but their treks back to the wide screen lonely leave them disappointed.

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A few years ago I went with an elderly friend to see, “Love Actually,” because we’re both great fans of Alan Rickman. The film has various vignettes of romantic couples and their curious experiences pursuing the love game. One of these couples happens to be two individuals acting in a porn movie and although the intent was to inject irony in the sex scenes showing the relative naïveté of the participants as they try to hook up, it failed miserably. My friend later said that particular graphic display spoiled the otherwise charming film which she no longer would add to her DVD collection when it came out.

Who decides to add these charm-busters to films? What is it about major appliances like washing machines that attract sexual activity? In the film, “Little Children,” Kate Winslet and Patrick Wilson drop their drawers to perform sexual gymnastics in the laundry room and several other inappropriate venues. ” Annette Bening has her head banged against a motel headboard while her adulterous lover humps her energetically in the Oscar winner “American Beauty.” Did we have to see Viggo Mortensen’s bare butt as he had sex with his wife on the stairs ( note: stairs are a very uncomfortable place to indulge in this activity) in ” A History of Violence?” Of course not and every film would have generated better box office without these unnecessary insertions — pardon the double entendre.

I could blame corrupt producers and directors but none of these quality-busting scenes would be possible without the cooperation of the actors and actresses involved. I’m continually flabbergasted that these so-called artists actually consider it of thespian merit to simulate raw sex before the eye of the camera. In a way, Eight Avenue peep shows are more candid about their industry.

Madonna was said to be embarrassed about old nude photographs that might impede her adoption of the Malawi child David. Her daughter Lourdes is rumored to be more conservative than her Mom. Big surprise that!

I wonder what the children of Julianne Moore will think of her naked lap dance in “Boogie Nights” when they’re old enough to see the film.

Helen Mirren has managed to eclipse her “Caligula” and other nude, lascivious roles with an Oscar win for “The Queen,” in which she appeared fully clothed but she’s British so she’s can carry that off somewhat.

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As a teen and a young woman, I’d buy all the movie mags with their color pictures of beautiful people who could honestly be called STARS. Now I find it difficult to name one female star today who doesn’t dress or act like a skank. Sorry. I realize it’s a sign of the times but that doesn’t mean I can’t prefer a time when class was what determined stardom.

When I look at today’s crop of movie denizens, every single one pales in comparison to our former screen legends. There is no one as gorgeous or as talented as the late Paul Newman. Ava Gardner may have had a checkered love life but her on-screen image is still a paean to her beauty and acting ability not her sexual proclivities.

Supermarket tabloids used to be my guilty pleasure but for the past few years, I can’t drum up interest in any of the figures that the paparazzi chase down. The word “star” is applied to reality TV people who fail to excite my curiosity. I don’t care who’s sleeping with whom nor do I give a whit about what any of them have to say.

Erotica is now dead in cinema and has been replaced by pornography. I’m trying hard to imagine which of today’s Hollywood elite could produce the same sexual heat that a long gone Maureen O’Sullivan and Johnny Weismuller managed to generate in our own minds. I’ve drawn a blank. Any suggestions?

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