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Anti-Obama Doc Highlights Weak Hollywood Newcomers at Box Office

Anti-Obama Doc Highlights Weak Hollywood Newcomers at Box Office

By DAVID GERMAIN
AP Movie Writer
LOS ANGELES
Hollywood may have run out of summer hits, but an anti-Obama documentary is helping to fill the gap.

Holdover movies easily topped the weekend box office again, led by Sylvester Stallone’s “The Expendables 2” at No. 1 for the second-straight weekend with $13.5 million.

The weekend’s new wide releases were overshadowed by “2016: Obama’s America,” which expanded from limited to nationwide release and took in $6.2 million to finish at No. 8.

The documentary is a harsh conservative critique of what the country would look like four years from now if President Barack Obama is re-elected.

Released by Rocky Mountain Pictures, “Obama’s America” nearly matched the $6.3 million debut of the No. 7 movie, Joseph Gordon-Levitt’s action tale “Premium Rush,” a Sony release that played in more than twice as many theaters as the Obama documentary.

The weekend’s other new wide releases opened weakly. Dax Shepard and Kristen Bell’s road-chase comedy “Hit & Run,” released by Open Road Films, debuted at No. 10 with $4.7 million, and the Warner Bros. fright flick “The Apparition” opened at No. 12 with $3 million.

The weak openings are typical of late August, a dumping ground for movies without much audience appeal as the summer blockbuster season winds down and young viewers switch to back-to-school mode.

But with less competition from Hollywood releases, it also opens the door for surprise successes.

That’s a solid average, especially for a political documentary. But it pales next to the king of political documentaries, Moore’s George W. Bush assault “Fahrenheit 9/11,” which opened at No. 1 with $23.9 million in June 2004, averaging $27,558 in 868 theaters. “Fahrenheit 9/11” went on to become the top-grossing documentary ever with $119.1 million domestically.

The documentary now has climbed to a $9.1 million domestic total, with prospects for strong business as the Republican National Convention unfolds over the next few days.

Released by Lionsgate, “The Expendables 2” raised its domestic total to $52.3 million after two weekends.

In limited release, IFC Films’ “Sleepwalk with Me” had a huge debut with $77,400 in a single New York City theater. Produced and co-written by Ira Glass of National Public Radio’s “This American Life,” “Sleepwalk with Me” stars writer-director Mike Birbiglia in a semi-autobiographical story of a stand-up comic struggling with career and romance, along with bad bouts of sleepwalking.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. “The Expendables 2,” $13.5 million.

2. “The Bourne Legacy,” $9.3 million.

3. “ParaNorman,” $8.5 million.

4. “The Campaign,” $7.4 million.

5. “The Dark Knight Rises,” $7.2 million.

6. “The Odd Life of Timothy Green,” $7.1 million.

7. “Premium Rush,” $6.3 million.

8. “2016: Obama’s America,” $6.2 million.

9. “Hope Springs,” $6 million.

10. “Hit & Run,” $4.7 million.

___

Online:

http://www.hollywood.com

http://www.rentrak.com

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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