NBA great and cultural commentator Kareem Abdul-Jabbar writes a column for the Hollywood Reporter in which he examines the critically-acclaimed hit film La La Land and how it “misleads” on issues of race, romance and jazz.
From the Hollywood Reporter:
A recent Saturday Night Live skit depicts two street-tough cops yelling at a handcuffed man they just arrested because he didn’t think La La Land was great. “It dragged in the middle,” he complains. “You sick son of a bitch!” one cop barks. “You disgust me!” This pretty much distills the rift in American pop culture that is nearly as contentious as the rift in American politics. As someone who finds La La Land bold, daring and deserving of all its critical and financial success, I can also admit that there are a few elements that warrant closer examination, particularly regarding its portrayal of jazz, romance and people of color. In fact, the better a work of art is, the more we must dissect it, because now we’re not just measuring Rotten Tomatoes popularity or boffo box office, we’re assessing its proper place in our cultural canon.
No, I don’t think the film needs more black people. Writer-director Damien Chazelle should tell the story as he sees fits with whatever ethnic arrangement he desires. However, it is fair to question his color wheel when it involves certain historical elements — such as jazz.
The white guy wants to preserve the black roots of jazz while the black guy is the sellout? This could be a deliberate ironic twist, but if it is, it’s a distasteful one for African-Americans. One legitimate complaint that marginalized people (women, people of color, Muslims, the LGBT community, etc.) have had about Hollywood in the past is that when they were portrayed, it was done in a negative way. The ditzy blonde, the Muslim terrorist, the gay predator are all familiar stereotypes from years of TV and movies. So much has been done in recent years to overcome those debasing images, but we still have to be careful. It’s not that a black man can’t be the sellout or the drug dealer, it’s just that they shouldn’t be if they’re the only prominent black character in the story. Whether it’s intentional or unintentional, that sends a bigoted message rippling through our society.
Read the full column at the Hollywood Reporter.