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Tag: David Brooks

Tuesday Quick Hits

– Tingles are out David Brooks has admitted to having sap running down his leg over Obama. It’s taken Brooks over two years to catch up to what most out here have been telling him. How good a columnist does

David Brooks Writes the Mother of All Nonsense

Noted ‘conservanerd‘ David Brooks has abandoned all pretense of conservatism in his latest New York Times column titled “The Mother of All No-Brainers.” It’s pretty clear that he believes that his readers are the brainless ones – rarely have so

Ricochet Podcast #37: The Brain Sandwich

Big brains on the big show this week as Rob Long and Peter Robinson are joined by New York Times columnist David Brooks and National Review Editor-In-Chief Rich Lowry. They think big thoughts about entitlements, the Bush tax cuts, Chris

We Love Pixar: What I Learned From 'Up'

Up is Pixar’s most ambitious film yet. It teaches us the truth that Pixar knows well: Life isn’t a series of merit badges or experiences, but of relationships, well cultivated. The best relationships are love stories and this is no

Elites Hate When The People Speak

Much of the animosity we’ve witnessed directed at the Tea Party over the last year has come from political and cultural elites who find regular people disturbing, if not downright disgusting. The peasants, according to elites, are prone to temper

Tea Party vs. 1960s Radicals

David Brooks is the very embodiment of a New York Times editor’s picture of a “responsible” conservative. He supported Obama in 2008 and dismisses Sarah Palin as an ignoramus without table manners. He considers Glenn Beck a clown and disdains

David Brooks' Sentimental Education: Bruce Springsteen

In a recent New York Times column, David Brooks described a 1975 Bruce Springsteen concert as the start of his “other education,” not the intellectual one from schooling but the “emotional education” from the popular culture. Brooks is a superstar

Audiences Reject Ang Lee's 'Woodstock'

Director Ang Lee’s films tackle a wide variety of ostensible subjects and genres, but they’re consistent in conveying antinomian-individualist platitudes. After his big international success with the superb martial arts saga “Crouching Tiger, Hidden Dragon,” Chinese-born film director Ang Lee