Summit scores a nice hit with KNOWING, which could reach $60M domestic, while I LOVE YOU, MAN has a shot at $70M in the US!

It was another good weekend for Summit Entertainment. The distributor behind last year’s meteoric hit Twilight has scored a solid hit with the Alex Proyas-directed Knowing, starring Nicolas Cage. Despite shaky word-of-mouth and negative reviews, the sci-fi thriller got a solid 9% bump on Saturday for a $9.7M second day, and it will likely finish its opening weekend with a possible $24.8M.

As a production company, Summit is responsible for some monster hits, including commercially and/or artistically successful films like Once (Oscar nominee for Best Picture), American Pie ($102..5M domestic), Memento (Oscar nominee for Best Original Screenplay: Chris Nolan), Mr. & Mrs. Smith ($186.3M domestic) and In the Valley of Ellah (Tommy Lee Jones nominated for Best Actor). But as a distributor, they got off to a slow start.

SUMMIT RELEASES

– in sequential order –

11/9/07 – P2 – $4M cume

2/29/08 – Penelope – $10M cume

3/14/08 – Never Back Down – $24.8M cume

8/15/08 – Fly Me To the Moon – $13.2M cume

10/17/08 – Sex Drive – $8.4M cume

11/21/08 – Twilight – $191.3M cume

2/6/09 – Push – $30.9M cume

3/20/09 – Knowing – $24.8M opening – $55M-$60M projected cume

As I wrote Friday, I think that word-of-mouth is weak for Knowing, but the movie held up pretty well over opening weekend. It is definitely helped by it’s PG-13 rating, its appeal to Males Under 25 (especially Under 17’s), and its similarity to Cage’s National Treasure franchise.

Paul Rudd and Jason Segal in I LOVE YOU, MAN

Meanwhile, I Love You, Man (Dreamworks/Paramount) ticked up 8% on Saturday to about $6.8M, and it will have banked about $18M by Monday morning. That is on par with Paul Rudd’s Role Models ($19.1M opening) and Jason Segal’s Forgetting Sarah Marshall ($17.7M opening). I’m sticking with $65M-$70M as my projection for domestic box office for this very funny movie that happens to have a very good heart.

I really wonder about the R-rating for I Love You, Man. It is a very, very soft R. There is no nudity or sex (although there are references to oral sex in particular), and it doesn’t roll up a high count of F-bombs. It seems to me that the ratings board was hard on this one, and a PG-13 rating could have meant an additional $5M-$8M (at least) on opening weekend.

DUPLICITY is Julia Roberts' first feature lead since 2003's MONA LISA SMILE

DUPLICITY is Julia Roberts' first feature lead since 2003's MONA LISA SMILE

The other new wide release is Duplicity (Universal), starring Julia Roberts and Clive Owen. This is a very smart, densely-plotted, stylish-looking movie for grown-ups. Writer/director Tony Gilroy is among the best screenwriters in town with all three Jason Bourne movies on his resume along with the legal thriller Michael Clayton, nominated for 7 Academy Awards.

With Females 25 Plus as its most important demo, the film got a big 27% Saturday bump to almost $6M. I saw the movie Saturday night, and it was about 60% women with lots of women in pairs and groups. That is a very good sign for future weeks since Females 25 Plus are never in a rush to see a movie on opening weekend. The audience I was in was mesmerized and laughed in all the right places, but overall, the CinemaScore exit survey was only a C. I still belive that, after a $14.4M third-place finish, Duplicity will get to the $45M-$50M range in the US.

The Rock isn't stromng enough to hold an audience for weekend #2 of RACE TO WITCH MOUNTAIN

Not strong enough to hold an audience for weekend #2 of RACE TO WITCH MOUNTAIN

Race to Witch Mountain (Disney) is not holding well at all, dipping to $13M for the weekend. A 46% second weekend drop spells an early end for the new one starring Dwayne “The Rock” Johnson. It is just not especially well-liked, and Monsters Vs. Aliens (Dreamworks Animation) will destroy it next weekend.

Sorry Rohrschach, WATCHMEN is completely burned out

Sorry Rohrschach, WATCHMEN is completely burned out

Finally, Watchmen (Warner Bros) suffered a second consecutive disastrous 3-day, down another 62% to $6.7M for a 17-day cume of $98M. Zack Snyder’s adaptation of Alan Moore’s classic graphic novel is unlikely to reach much past $110M in the US, and with a soft foreign performance as well, it will struggle to reach any real profitability.

STUDIO 3-DAY ESTIMATES

1. NEW – Knowing (Summit) – $24.81M, $7,447 PTA, $24.81M cume

2. NEW – I Love You, Man (Dreamworks/Paramount) – $18M, $6,640 PTA, $18M cume

3. NEW – Duplicity (Universal) – $14.4M, $5,595 PTA, $14.4M cume

4. Race to Witch Mountain (Disney) – $13M, $4,080 PTA, $44.71M cume

5. Watchmen (Warner Bros) – $6.72M, $1,916 PTA, $98M cume

6. The Last House on the Left (Universal) – $5.92M, $2,465 PTA, $24.04M cume

7. Taken (Fox) – $4.4M, $1,654 PTA, $133.43M cume

8. Slumdog Millionaire (Fox Searchlight) – $2.7M, $1,306 PTA, $137.2M cume

9. Tyler Perry’s Madea Goes To Jail (Lionsgate) – $2.51M, $1,368 PTA, $87.2M cume

10. Coraline (Focus) – $2.14M, $1,498 PTA, $72.8M cume

Steve Mason is on Facebook and now also on Twitter@LAMase.

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