Bill and Kim's Bogus Journey

Hollywood used to be the land of make-believe, but those days are fading fast. Today, Scarlett Johansson offers debate counseling to Barack Obama (her e-mail pal), and A-listers come and go at the White House as if it’s the Beverly Hills Hotel East (if only they had a better pool scene)! Now comes word it was Hollywood who staged the dramatic adventures of former President Bill Clinton and his trip to North Korea.

It all played out a little too perfect — a surprise last-minute swoop by Clinton into enemy territory to heroically stare down the world’s most blood-thirsty dictator and rescue two damsels in distress. The press asked the White House how Bill Clinton became involved in the rescue of the two American women, Laura Ling and Euna Lee, trespassing into North Korea and sentenced to “10 years hard labor.” They said they had no involvement. Of course, Bill Clinton’s wife Hillary works for President Obama as Secretary of State; certainly, the press surmised, she must have been responsible. The response from the State Department was that Bill Clinton was on a “private humanitarian mission.” How does one pull off such an extempore feat without government help? Why, call a movie mogul — of course!

Steve Bing, the multimillionaire behind “Beowulf” and “The Polar Express,” now has a new blockbuster in his collection — call it “The Pyongyang Express.” Clearly a man who knows how to make things happen, Bing didn’t have time for protocol, pesky nuclear disarmament concerns or international law. He fueled up his private Boeing 737 and before you could yell “Action!” a former U.S. President was on his way to meet Kim Jong Ill, a sworn enemy of the United States — who just a month ago was launching missiles aimed precariously close to Hawaii.

But it doesn’t stop there. As any mogul knows, making the picture is one thing — but it’s all about marketing it big, baby! No worries, Bing’s Hollywood P.R. firm Rogers & Cowan was brought in to arrange a spectacular homecoming. Since the women being rescued worked for a company of Academy-Award winning, greenie Al Gore, the firm wisely chose a solar powered facility to accommodate press events. Meanwhile, the pictures coming back from North Korea were playing out beautifully. Clinton looked so glum and stern next to a clearly delighted, but frail Kim Jong-Il. It reminded the world how wonderful Clinton can play emotions for the cameras: “In this scene, Bill, you are meeting a man who wants to take over the world — remember, you’re Luke Skywalker, and he’s Darth Vader.”

Back in Tinseltown, the set folks were readying a hangar at Bob Hope International Airport in Burbank for our hero’s triumphant return. No official U.S. government personnel in this scene. No, this is where tears are shed, and father-figure Al Gore emerges to hug the dear employees he feared were lost forever. One of the rescued women said Clinton’s team was “super-cool,” and she was right. Welcome to the A-List sweetheart. No disrespect to the woman, but the team may have done too much of a super-cool perfect job — usually prisoners look a little more shaken and stirred as they descend the airplane steps back into captivity.

These rescued prisoners had make-up, wardrobe and perfect hair that gleamed under the lights of the awaiting cameras. Thankfully, no hard labor evident. But something about this blockbuster leaves the audience feeling a tad anxious after the credits roll. After all, the bar has certainly been raised. Will there be more cinematic rescues of American captives — servicemen and women in Afghanistan who are taken by the Taliban or captured in Iraq by roving militias? The three “hikers” who crossed into Iran and were taken prisoner? Should Clinton be dropped by helicopter onto ships seized by Somali pirates?

We’ll have to wait for the sequel.

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