box office

Nolte: Comedian Jerry Seinfeld told GQ Magazine that the “movie business is over,” and he’s right.

Guy Ritchie’s “The Ministry of Ungentlemanly Warfare,” co-starring Alan Ritchson, debuted with $9 million in 2,845 theaters.

Per Forbes, “the total net profits from Disney’s five Star Wars movies [is] $1.2 billion which is $2.8 billion short of the purchase price of Lucasfilm.”

Francis Ford Coppola spent $120 million to produce a film and the knives are already out to kill his chances of landing a distribution deal.

Monkey Man was supposed to be the next John Wick, but instead, it’s one more piece of woke garbage that failed to perform near expectations.

The sycophantic entertainment media will blame anything and everything on Hollywood’s ongoing box office collapse. These liars have all kinds of excuses: Streaming! Unruly crowds! Too much dew on windshields! Hell, to this day, some still blame the COVID pandemic.

The Disney Grooming Syndicate lost $134.2 million on Indiana Jones and the Dial of Destiny, per financial statements reviewed by Forbes.

Only 34 percent of American adults prefer watching movies in a theater, compared to 66 percent who prefer watching them at home, according to a poll.

It’s not the movies we hate, Hollywood. It’s you we hate.

‘God & Country’ is a naked act of fascism, and try as he might, Reiner is only a Leni Riefenstahl in spirit, not talent.  

Apple spent $700 million to produce three movies that grossed $466 million worldwide, and now claims those movies are profitable.

AMC Entertainment Holdings saw an eight-percent drop in its stock as audiences continue to reject Hollywood’s woke garbage.

There’s plenty of content, which means the box office is collapsing for only one reason: the product sucks.

Like all Rob Reiner movies, “God & Country: The Rise Of Christian Nationalism” tanked at the box office.

The fact that idiots run Disney is more proof God loves us.

Chinese state media on Sunday trumpeted a record-breaking domestic travel season for the Lunar New Year holiday, which was one of the heaviest travel seasons in the world before the Wuhan coronavirus pandemic.

Compared to this same date in 2020 (the last pre-pandemic January and February), the 2024 box office is down nearly 50 percent.

Nolte: The feminist flop Madame Web was supposed to launch a whole new superhero franchise, but it’s not happening.

The Sony/Marvel co-production of Madame Web grossed just $6.05 million on its opening day and $2.15 million on day two.

“Madame Web,” the latest girlboss offering from Hollywood, is already looking like a $100 million flop.

Only abusive and negligent parents expose their children to the obscenity Disney has become.

Apple’s $200 million Argylle tanked at the box office with a $16.5 million opening, which ensured the overall 2024 box office drought marched into February.

We’re a long way from the days when the imprimatur of an Academy Award nomination excited the public enough to spin box office gold.

Hollywood’s losing streak in China continued in 2023, with no American movies cracking the country’s top ten list of the highest grossing titles of the year.

Soul might be a great movie, but normal people will never know because Disney has lost our trust and goodwill. Disney is a threat to our children. Disney is evil.

This survey doesn’t reveal a tolerance problem in America; it reveals a quality problem in left-wing Hollywood.

It’s not strikes or pandemics that broke the business of Hollywood; it’s only one thing: obnoxious, left-wing politics.

Movie after movie tells us sexual deviancy, mental illness, and narcissism are virtues. Worst of all, our heroes, the very characters that made these franchises golden geese for decades, are deconstructed, portrayed as bigots, and replaced with girls and racial minorities for no good reason other than tokenism.

Four days into the new year the Disney Grooming Syndicate is already dealing with a crippling public relations disaster.

A great movie is a friend for life, something you carry from then on, a two-hour voyage to another place and time with interesting characters and much to think about.

The Walt Disney Company lost its top spot at the global box office in 2023 as the studio experienced an unprecedented string of woke flops, including The Marvels, Wish, and the latest Indiana Jones sequel.

In the battle at the domestic box office, “Sound of Freedom” vanquished Taylor Swift to become one of the top ten grossing movies of 2023.

“Aquaman and the Lost Kingdom” is projected to open to a disastrous $40 million over the four-day Christmas weekend.

“Aquaman and the Lost Kingdom” is scoring dreadful reviews and even more dreadful box office projections.

So no, it is not uncontrollable, outside forces dooming next year’s box office. It’s the fact that Disney has lost touch with its audience.

NEW YORK — For the first time in Hayao Miyazaki’s decades-spanning career, the 82-year-old Japanese anime master is No. 1 at the North American box office. Miyazaki’s latest enchantment, “The Boy and the Heron,” debuted with $12.8 million, according to studio estimates.