Oscar-Winner Barry Levinson Doesn’t Cast Black Actors; Calls America Racist

Barry Levinson

Oscar-winning director Barry Levinson opens a Variety op-ed about “Selma’s” Oscar snub by defaming America: “Are we a racist country? Yes,” Levinson writes. He does throw America a bone by saying we are getting better, yet offers no proof to back up his smear. If, however, one wanted to prove Hollywood is racist, the left-wing director’s own films could be easily introduced as a devastating Exhibit A.

Despite being an A-List director in a business swimming in superb black actors and actresses most directors would crawl over glass to work with, a serious look at Levinson’s resume reveals a director who appears to go out of his way to work only with white people.

Below is a list of more than two-dozen films directed by Levinson over the last 37 years. Except for casting the great Samuel L. Jackson in the wretched “Sphere,” a girlfriend role in “Liberty Heights,” and the best friend role in “Good Morning Vietnam,” I could not find a single black star cast in a single top role. In fact, it’s shocking how few black actors Levinson has cast in any role.

Hell, five years before the Selma March, John Ford made “Sergeant Rutledge.” In the decades since Selma, Levinson has never once centered a film around a black star. Not once.

Barry Levinson trashing America as racist is like water complaining about wet.

2015 Rock the Kasbah

 2014 The Humbling

 2012 The Bay

 2010 You Don’t Know Jack

 2008 What Just Happened

 2006 Man of the Year

2004 Envy

 2001 Bandits

2000 An Everlasting Piece

1999 Liberty Heights

1998 Sphere (small role for Queen Latifah)

1997 Wag the Dog

1996 Sleepers

1994 Disclosure

1994 Jimmy Hollywood

1992 Toys (Small roles for LL Cool J and Jamie Foxx)

1991 Bugsy

1990 Avalon

1988 Rain Man

1987 Good Morning, Vietnam

1987 Tin Men

1985 Young Sherlock Holmes

1984 The Natural

1982 Diner

1978 Peeping Times

How does an A-list, Oscar-winning director with a post-Civil Rights four decade career and 25 films under his belt avoid working with the wealth of incredible black actors available to him: Denzel Washington, Angela Bassett, Keith David, Will Smith, Terence Howard, Morgan Freeman, Eddie Murphy, Cuba Gooding, Jr., Danny Glover, Wesley Snipes, James Earl Jones, Kaye Diggs. Kerry Washington, Halle Berry, Ving Rhames, Louis Gossett, Jr., Richard Pryor, Whoopi Goldberg, Charles S. Dutton, Jeffrey Wright, Ossie Davis, Ruby Dee, Don Cheadle, Laurence Fishburne, Dennis Haysbert, Delroy Lindo, Alfre Woodard, Howard Rollins, Blair Underwood, Mario Van Peebles, Michael Clarke Duncan, Ice Cube, Gabrielle Union, Nia Long, Rosario Dawson, Jennifer Hudson, Viola Davis, CCH Pounder, Pam Grier, or Thandie Newton?

I’m surprised Levinson was once willing to cast a guy named Lewis Black. 

Over the last five years, including this year, the Academy has awarded 10 of the 100 possible Best Actor/Actress slots to black actors. That’s a 10% rate, only a little below the 12.6% (averaged over 5 years) of blacks who make up the American population. That’s science.

As far as doing similar math with Levinson’s casting choices, I’m pretty sure zero times zero equals zero.

This post has been updated to satisfy the nit-pickers who don’t know the difference between a “top role” and a small speaking role. 

Follow John Nolte on Twitter @NolteNC               


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