box office

Former comedian Jimmy Kimmel used the publicly owned airwaves to spread a dual hoax that the box office and audience score for Melania have been rigged by Republicans.

In just one weekend, Melania’s $7 million, three-day weekend haul has already out-grossed the entire domestic run of five 2025 movies nominated for this year’s Academy Awards.

“Melania” documentary film director Brett Ratner told Breitbart News in an exclusive interview that First Lady Melania Trump deserves “all the credit” for the picture’s historic opening weekend success.

The legacy media are eating crow once more now that Melania has scored the best box office opening for a documentary in a decade.

Spending $75 million to attract the Biggest Superstars on the Planet, Donald and Melania Trump, is a pretty shrewd investment.

The hate for “Melania” ahead of its debut in theaters worldwide on January 30th has kicked into overdrive with leftist attacks appearing to be timed to tank the film. “It’s the kind of freakish, ghoulish activity from the left that you can set your watch to,” Breitbart News Entertainment Editor Jerome Hudson said Wednesday on “The Alex Marlow Show” on the Salem Radio Network.

NEW YORK (AP) — With a winter storm blanketing a large swath of the country, Hollywood had its quietest weekend of the year at the box office. The Amazon MGM sci-fi thriller “Mercy” dethroned “Avatar: Fire and Ash” from the No. 1 spot with $11.2 million in North America, according to studio estimates Sunday.

Over the Thanksgiving weekend, the Disney Grooming Syndicate’s Zootopia 2 grossed $556 million. That’s not a typo. Debut weekend. Worldwide gross $556 million. Domestic gross $156 million.

The 2025 summer box office was the worst since 1981, the worst in 44 years.

Paramount poured $110 million, plus at least $70 million for advertising into its remake of The Running Man, and it flatlined at the box office.

The far-left New York Times reports 25 comedies and dramas were released in movie theaters over the last three months, and they all bombed. But…

Halloween weekend ended the month with the worst box office weekend of the year, the worst Halloween weekend in 32 years, and this all comes after the worst October box office in three decades.

Not counting the pandemic year of 2020, the October of 2025 box office earned just $425 million. That’s the worst October showing since 1997.

Springsteen: Deliver Me from Nowhere didn’t only bomb in the U.S.A., it was rejected by seven billion people all over the planet.

As great as I found director Scott Cooper’s Springsteen: Deliver Me from Nowhere, nothing about its box office failure is surprising. And it is not only a failure; it is a shocking failure for box office analysts who projected an opening as high as $25 million with a $15 million worst case.

If this country ever normalizes, One Battle After Another deserves a place in infamy beside Birth of a Nation and Triumph of the Will. 

Paul Thomas Anderson’s pro-terrorist “One Battle After Another” has flopped at the box office.

The Disney Grooming Syndicate, home to serial fabulist Jimmy Kimmel, has another dead franchise on its hands with the domestic and worldwide flop of Tron: Ares.

Stephen King’s latest film adaptation, “The Long Walk,” is a box office flop in its first week amid his comments falsely accusing assassinated conservative hero Charlie Kirk of wanting to stone gay people to death.

The wholesome, pro-Christian feature film The Conjuring: Last Rites is blowing right past projections and setting box office records.

Simple solution: make movies for Normal People instead of theater kids, groomers, exhibitionists, and purple-haired harridans who buy boxed wine at Costco.

LOS ANGELES (AP) — “Weapons” found its way back on top during the Labor Day weekend, culminating a summer box office that’s likely to fall right below meeting last year’s earnings.

LOS ANGELES (AP) — Netflix appears to have its first No. 1 box-office title in the streaming company’s 18-year history thanks to the sensation of “KPop Demon Hunters.”

The Disney Grooming Syndicate’s open and seething hostility towards men and boys reaches back more than a decade. Franchise after franchise has been retooled, deconstructed, and woke-raped to tell young men they are a disease and to deliver sweet feelzzz to women and the LGBTQ crowd.

While James Gunn’s recent rebooted “Superman” has earned a $595 million at the global box office, the film will likely fail to surpass director Zach Snyder’s 2013 reboot, “Man of Steel,” according to a recent report from Variety.

Journalist Mark Judge will be launching an anti-communist film festival in Washington, D.C., as the nation faces a resurgence of socialism.

LOS ANGELES (AP) — “Weapons” scared its way to the top of the box office in its debut and managed to stay there during its second box office weekend, beating out “Freakier Friday” and newcomer “Nobody 2.”

Overall, the Disney Grooming Syndicate had a fairly good fiscal third quarter, but the company’s fascist and perverted embrace of woke poured red ink all over its theatrical division.

The Chinese state newspaper Global Times celebrated this weekend that the country’s box office had hit a single-day record for the summer, earning $972 million on the back of multiple war propaganda films demonizing the Japanese.

Now that the collapse of the Disney Grooming Syndicate’s Marvel brand is no longer in dispute, the far-left entertainment media continue to deceive their readers by blaming everything except what’s really to blame — Marvel’s lunatic embrace of woke.

The far-left Variety describes “The Fantastic Four: First Steps”‘ second weekend drop-off as “devastating.”

Well, then, why has the American movie Jurassic World: Rebirth, released only nine days before Superman, grossed almost $400 million overseas in just 20 days?

Pixar employees are convinced that the Disney Grooming Syndicate’s fourth flop of this year, Elio, bombed because the movie’s protagonist, 11-year-old Elio, had all his queerness stripped away in reshoots.

A survey of 246 “cinema owners and film professionals affiliated with exhibitors” found that more than half believe the “traditional cinema experience” will be dead as a viable business model within 20 years.