box office - Page 14

Latest slasher film Halloween smashed box office expectations this weekend with an impressive $80 million, beating the likes of Venom and First Man. 

Damien Chazelle’s intergalactic thriller First Man hits theaters on Thursday. Its box office success may depend on how well viewers receive the movie’s internationalist theme.

The end of Michael Moore began almost immediately after Moore’s greatest triumph, back in the summer of 2004 when Fahrenheit 9/11 grossed an incredible $222.5 million worldwide.

The box office figures are in — Venom and A Star is Born were major winners, bringing October box office numbers to an all-time high.

NEW YORK (AP) — The gothic family fantasy “The House With a Clock in Its Walls” exceeded expectations to debut with an estimated $26.9 million in ticket sales at the weekend box office, while audiences showed considerably less interest in Michael Moore’s Donald Trump-themed documentary, “Fahrenheit 11/9,” than his George W. Bush-era one.

Michael Moore’s anti-Trump documentary Fahrenheit 11/9 tanked at the box office, according to Deadline.

Another action-packed re-boot of the Predator series eked out a disappointing $26 million for this weekend’s box office, which is at the lower end of its projected take.

LOS ANGELES (AP) — “Crazy Rich Asians” isn’t slowing down at the box office even in its third weekend in theaters, and is helping to send a strong summer moviegoing season off on a high note.

Movie attendance for the summer of 2018 at the box office is the second worst in 25 years.

Melissa McCarthy could not save the R-rated puppet murder mystery, Happytime Murders, which was killed at the box office upon its debut this weekend.

Glitz has won out over guns at the North American box office this weekend as the gilded romance “Crazy Rich Asians” took No. 1 over Mark Wahlberg’s action-packed “Mile 22.”

Disgraced actor Kevin Spacey’s latest film, Billionaire Boys Club, earned a shockingly low $126 on its opening day, Friday.

Despite reams of favorable press coverage, director Spike Lee’s ‘BlacKkKlansman’ debuted in fifth place well behind the whacky prehistoric shark action flick ‘The Meg.’

Tom Cruise sped past Winnie-the-Pooh at the box office to lead all films for the second straight week with an estimated $35 million in ticket sales for “Mission Impossible — Fallout.”

Stock in Helios and Matheson, the company that owns the movie subscription service MoviePass, is now trading at 13 cents per share, which is a 99.99 percent collapse year-to-date.

After six movies, 22 years, countless bruises and a broken ankle, Tom Cruise’s death-defying “Mission: Impossible” stunts continue to pay off at the box office.

In the battle of two very different sequels at the box office this weekend, Denzel Washington’s action pic “The Equalizer 2” has narrowly won out over the ABBA jukebox musical “Mamma Mia! Here We Go Again.”

Shock and Awe director Rob Reiner has now directed six mega-flops in a row and has not had anything approaching a hit since 2007.

Director Rob Reiner’s latest film Shock and Awe grossed a meager $41,000 on its opening weekend after critics and audiences ripped its predictable storyline. 

“Hotel Transylvania 3: Summer Vacation” has checked into the No. 1 spot at the box office in its opening weekend and left the Dwayne Johnson action thriller, “Skyscraper,” in the dust.

Jurassic World still reigns supreme, taking another first place bite at the box office, while Incredibles 2 swooped into second place for the second straight week and newcomer Sicario: Day of the Soldado over performed sneaking into third place.

Disney is eager to fire and replace Kathleen Kennedy over her disastrous handling of the Star Wars franchise, reports Grace Randolph of Beyond the Trailer.

“Jurassic World: Fallen Kingdom” surpassed expectations to open with $150 million in ticket sales in U.S. and Canada theaters over the weekend, according to studio estimates Sunday. While that total didn’t approach the record-breaking $208.8 million debut of 2015′s “Jurassic World,” it proved the 25-year-old franchise still roars loudly among moviegoers.

The combined powers of superheroes, the Pixar brand and a draught of family-friendly films helped “Incredibles 2” become the best animated opening of all time, the biggest PG-rated launch ever and the 8th highest film launch overall.

“Ocean’s 8,” the female-led overall of the starry “Ocean’s” franchise, opened with $41.5 million at the box office, taking the weekend’s top spot from the fast-falling “Solo: A Star Wars Story.”

An industry analyst tells the far-left Hollywood Reporter that Solo could lose more than $80 million. Yeah, right. Not for a second do I believe the loss will be that low, but that is the headline.

With no serious competition opening at the box office, Solo has officially collapsed with a catastrophic -68 percent drop in its second weekend. After grossing a measly (we are talking about a Star Wars movie here) $82 million in its debut weekend, Solo bottomed out in week two with just $28 million.

Disney murdered the Muppets with left-wing politics, and now the studio is allowing Kathleen Kennedy to kill Star Wars — a franchise that was once so bullet-proof and buried in audience goodwill, it survived the Lucas prequels.

In the largest disturbance yet in Disney’s otherwise lucrative reign over “Star Wars,” the Han Solo spinoff “Solo: A Star Wars Story” opened well below expectations with a franchise-low $83.3 million in ticket sales over the three-day weekend in North American theaters.

Solo is not collapsing at this weekend’s domestic and international box office over some exotic disease known as Star Wars Fatigue. Solo is crash-landing because the franchise has been infected with divisive left-wing politics that have hurt the storytelling.

Solo, the latest entry in Disney’s new woke-ified Star Wars franchise, is projected to open at just $130 million this weekend, and this is a three-day weekend with Memorial Day. The high-end projection is $150 million.

Last year, Jim Carrey’s The Bad Batch, managed to gross just $181,000 in theaters —  and that is the good news. Carrey’s latest movie, the $4.5 million thriller Dark Crimes, just went directly to home video.

With a production and advertising budget that reports peg at somewhere between $150 million and $250 million, that means the ‘Wrinkle In Time’ red ink landed somewhere between $86 million and $186 million, according to Yahoo News.  

After breaking opening weekend records, “Avengers: Infinity War” continued to dominate in its second weekend in theaters, but alternative programming like the romantic comedy “Overboard” also found an audience in what has historically been considered the “official” kick-off to the summer movie season.

A whole lot of superheroes added up to a whole lot of ticket sales. The superhero smorgasbord “Avengers: Infinity Wars” opened with predictable shock-and-awe, earning $250 million in box office over the weekend and edging past “Star Wars: The Force Awakens” to set the highest opening weekend of all-time.

It’s another weekend of buzz versus pure star power at the box office as the word of mouth sensation “A Quiet Place” finds itself neck-and-neck again with Dwayne Johnson’s “Rampage.” This time buzz had the slight advantage.