'The Way' Director Emilio Estevez: 'We Have to Give Voice to the Unborn'

Brent Bozell:

In an interview on the Catholic cable channel EWTN, Estevez joked about the horror of making the pitch for this movie about a pilgrimage – no massive special effects, no parade of gore or bedroom scenes with nudity. It’s just an old man hiking across Spain with three people he meets along the way. It’s a small movie, made on a small budget. It’s about our humanity and our spirituality. It’s so easy to imagine Tinseltown’s eyes glazing over.

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But what Estevez said in that interview was still striking. “Hollywood is a very difficult place to be earnest and be heartfelt. And I am not interested in making films that are anything but. There’s a lot of vulgarity in films. There’s a lot of violence, casual sex – things that make me uncomfortable watching – and I’m not interested in perpetuating that message.” …

Here’s how “The Way” unfolds. Sheen’s character, California ophthalmologist Tom Avery, is a widower who’s been angry at his son’s decision to forego a graduate degree to wander the world. While Avery’s out on the golf course, a French policeman calls to tell him his son has died in a storm in the Pyrenees. When Avery arrives to identify the body, the policeman tells him about the “camino,” and he resolves to travel the route with his son’s cremated remains. On this very long walk, he finds companionship with a burly Dutchman who wants to lose weight, an Irish writer with writer’s block, and a bitter Canadian woman trying to quit smoking – and ultimately rediscovers his lost faith.

The movie is beautiful travelogue of the sites along the route, from mountain vistas to beautiful old cathedrals. It’s a great backdrop for a subtle human story. After the Canadian woman cynically suggestes Sheen’s character is there to march on a self-absorbed baby-boomer journey to a James Taylor soundtrack, she’s embarrassed to learn the truth. Later she admits her own dark troubles. She was a battered wife and is haunted by an abortion she underwent because she didn’t want her husband to have two females to brutalize. She says she can hear her daughter’s voice. Estevez explained, “We give voice to the unborn, and again, that is another thing Hollywood doesn’t necesssarily celebrate.”

Full piece here. Below is an interview Estevez did withLaura Ingraham:

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