box office - Page 16

Universal’s Fate of the Furious revved its way to $1 billion in worldwide gross and stayed atop the domestic chart in its third weekend as romantic comedy How To Be a Latin Lover and Indian film Baahubali 2: The Conclusion both managed to come in ahead of the Tom Hanks-Emma Watson tech thriller The Circle at the box office.

Paramount Pictures’ sci-fi thriller Ghost in the Shell is reportedly projected to lose at least $60 million, following a lousy $18.6 million take at the domestic box office in its March 31 opening weekend.

Shia LaBeouf’s latest war film, Man Down, grossed just £7 (approximately $8.60) at the UK box office in its opening weekend, according to box office figures compiled by ComScore.

Hollywood studios could be in for another year of “big-budget bombs” and increased volatility around mid-budget releases, film industry analyst Doug Creutz warned in a report this week.

Gun control film Miss Sloane stumbled then collapsed at the box office as EuropaCorp expanded it into 1,648 theaters this weekend, only to take in a reported $1.9 million.

Universal/DreamWorks’ The Girl on the Train led all new releases at the box office with a near-$25 million haul as Nate Parker’s slave epic The Birth of a Nation faltered under the weight of its own controversy this weekend.

Sea of Trees — the Gus Van Sant-directed movie starring Matthew McConaughey — has bombed epically at the box-office, grossing a paltry $2,730 in its first week, albeit from just one theater.

MGM/Paramount’s pricey Ben-Hur update failed to gain any traction at the box office this weekend, taking in $4.1 million Friday on its way to an estimated $11 million three-day total from 3,084 locations while Warners’ Suicide Squad and Sony/Annapurna’s Sausage Party looked to retain the top two spots for the second straight weekend.

Warner Bros./DC’s Suicide Squad took a deep nosedive in its second weekend of release while Seth Rogen and Sony’s raunchy Sausage Party became the highest-grossing animated release ever for August and Disney’s reboot of Pete’s Dragon stumbled out of the gate at the box office this weekend.

Thanks to its election year release and a few high-profile speakers at this year’s Republican National Convention, home video sales for director Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi have nearly matched the film’s entire theatrical domestic gross.

Warner Bros. and DC Comics’ highly-anticipated super-villain blockbuster Suicide Squad finally hits theaters this weekend — but ugly early reviews could threaten the film’s long-term box office prospects, just as Hollywood desperately needs a boost after a brutal, flop-filled summer.

Star Trek Beyond blasted off to a near-$60 million opening while the all-female led Ghostbusters reboot fell off a cliff and The Secret Life of Pets continued to dominate in its third weekend at the box office.

Dinesh D’Souza’s latest film, Hillary’s America: The Secret History of the Democratic Party, is off to a strong start at the box office after opening to an estimated $77,500 from just three theaters this weekend.

Sony/Village Roadshow’s female-led Ghostbusters reboot failed to scare up enough business to be considered a hit in its opening frame, while Universal/Illumination’s latest animated offering The Secret Life of Pets looked to be on track for a $50M+ weekend to retain the top spot and Bryan Cranston’s undercover caper The Infiltrator fell flat at the box office this weekend.

After having spent years starring in the blockbuster Harry Potter film franchise, Emma Watson’s latest film, The Colony, pulled in a paltry £47 in her native United Kingdom this weekend — or about $60.75 in U.S. dollars.

What was supposed to be a holiday weekend box office battle between two big-budget tentpoles quickly flamed out as two big studio films flopped, a micro-budget horror movie did better than expected and Finding Dory looked for its third straight win over the sluggish July 4 frame.

California moviegoers were livid after the Brenden Theatre showed a trailer for an an R-rated animated movie, Sausage Party, before the start of the children’s film Finding Dory.

Moviegoers wary of endless sequels have sent early-summer Hollywood box office revenue tumbling down 22 percent over the same time period last year.

Johnny Depp’s latest film, Alice Through the Looking Glass, tanked at the domestic box office over the Memorial Day holiday weekend as calls to boycott the actor over his alleged physical abuse of wife Amber Heard continued to grow louder on social media.

George Clooney is headed for another flop with his latest film, the Jodie Foster-directed financial thriller Money Monster, box office analysts predict.

Disney’s animated smash hit Zootopia ruled the box office for a second consecutive weekend this week while the thriller 10 Cloverfield Lane performed solidly and Sacha Baron Cohen’s raunchy The Brothers Grimsby tanked in its first weekend of release.

Michael Moore’s latest film Where to Invade Next tanked at the box office this weekend on its way to becoming the lowest-grossing opening weekend of the liberal filmmaker’s career.

The Coen brother’s “Hail, Caesar!” didn’t just flop with a paltry $11.4 million opening weekend, according to Box Office Mojo, in the their three-decade career, the well-reviewed Hollywood comedy starring George Clooney represents the worst opening ever for a Coen’s

Over the weekend, using science, math and apples-to-apples examples, I made the case that there is no reason, outside of a series of public relations catastrophes, for the box office disaster that is Quentin Tarantino’s “The Hateful Eight.” What’s going

As is usually the case, what is bad news for Hollywood is almost always good news for America and Americans. Hollywood enjoyed a record box office year in 2015, but the hows and whys of this are mostly bad news

Studio estimates on Sunday say “Star Wars: The Force Awakens” brought in a galactic $238 million over the weekend, making it the biggest North American debut of all time.

Arrogant, big-mouthed, divisive Hollywood blowhards took a massive hit at the American box office this weekend. The highly-anticipated fourth and final chapter of “The Hunger Games” should have been bullet-proof. But after star Jennifer Lawrence used the film’s publicity tour to trash Christians and Republican frontrunner Donald Trump, “Mockingjay – Part 2” is under-performing in a way no box office analyst had predicted.

It took the combination of James Bond and Charlie Brown to save the box office after a disastrous few weekends of flops. Both “Spectre” and “The Peanuts Movie” reinvigorated moviegoers who turned out in droves to check out the new fare, including buzzy limited-release titles like “Spotlight.”

“Steve Jobs” didn’t just bomb this weekend, it BOMBED. Although director Danny Boyle’s biopic sits in nearly 2500 theaters and was predicted to clear around $12 million, according to Deadline, by Monday the $30 million film (closer to $60 million with distribution costs) will bottom out at $7 million.

Although I personally enjoyed the film, Emily Blunt’s “Sicario” is looking like a bust at the box office and a substantial write off for Lionsgate. The edgy drug war thriller that boasts no fewer than three stars (Josh Brolin and

“Straight Outta Compton” is Universal’s sixth film to open over $50 million in 2015 and broke the August record for an R-rated opening.

The latest attempt to kick-start a “Fantastic Four” franchise flopped at the box office with an estimated $26.2 million debut.

Overall, Hollywood is having an okay year. Year-to-date the 2015 box office is +8.3% ahead of the disaster that was 2014. That, however, is still less than +1% over 2013 and actually pacing -0.2% behind 2012. Movies are no longer

Adam Sandler has been a legitimate movie star — a legitimate box office attraction — since his first hit “Billy Madison” was released way back in 1995. That’s 20 years. That’s longer than critical darling Bill Murray, longer than critical

After a disastrous 2014 box office season, most especially last summer, there is no question that 2015 is an improvement. Currently, this year’s box office is running almost +7% ahead of last year. That is all well and good, but

False charges of sexism obviously fell on deaf ears. Weekend estimates range from $177 million to $190 million for the debut of “Jurassic World,” the fourth in the “Jurassic Park” franchise, the first in 14 years. After three lackluster weekends