box office

The news here isn’t that Digger could lose $250 million. Just a few days ago, Breitbart News told you that. The news here is the entertainment media are finally reporting that, after two weeks of slavishly reporting the utter lie that $300 million was break-even for a movie that cost almost that much to produce and promote.

Tom Cruise’s Digger is DOA at the box office after Thursday previews managed to attract only $1.2 million.

Tom Cruise’s Digger is a shrill, unsubtle, 129-minute attack on those of us who dare to use oil to better our lives. And it’s about to lose a fortune.

NEW YORK — Seven years after becoming the second-highest grossing film ever, “Avengers: Endgame” returned to the No. 1 spot at the box office in a victory lap for Marvel and an appetizer for the upcoming blockbuster “Avengers: Doomsday.”

Zach Cregger’s “Resident Evil” gave the North American box office a shot in the arm in its first weekend in theaters. The Sony Pictures release earned $60 million in ticket sales from 3,684 locations in the U.S. and Canada, according to studio estimates Sunday.

LOS ANGELES (AP) — “Practical Magic 2″ conjured a box-office victory this weekend, opening atop the North American charts nearly three decades after its predecessor grew from a modest theatrical performer into a cult favorite.

The groomers at Disney deserve every terrible thing that happens to them, and 2026 has been a rough year for the groomers.

A mysterious low-budget animated film called Niu Lai, or “The Cow Arrives,” became an unexpected hit in Chinese theaters this past week, crossing $1 million in box office sales as word of mouth spread of how truly awful the film is.

Hollywood is so insulated, bottled, out-of-touch, and broken, it truly boggles the mind. Case in point, the sexless sex comedy “One Night Only” that just let off a humiliating stink bomb in 3,012 theaters.

DC’s girlboss Supergirl movie has ended its theatrical run as a historic and epic failure.

With an incredible domestic haul of $360 million, “Spider-Man: Brand New Day” now owns the record for the biggest opening weekend of all time.

“Spider-Man: Brand New Day” has made box office history in its first weekend, becoming the second-biggest North American opening ever with $355 million in ticket sales.

The Thursday previews for Spider-Man: Brand New Day have already out-grossed the entire run of the six-week-old Supergirl.

Supergirl is on track to become the biggest flop in the history of the DC Extended Universe (DCEU), a franchise that began in 2013 with Man of Steel.

Alan Ritchson, the far-left “Reacher” star who used the promotion tour for “Motor City” to falsely accuse President Donald Trump of raping 13-year-olds, faced humiliating rejection over the weekend when his movie collapsed at the box office.

The media continues to try and pump up Christopher Nolan’s “The Odyssey,” with Fortune magazine jumping into the game with the false claim that the movie has already earned back its estimated $250 million production budget.

Oscar-winning director Christopher Nolan has another triumph on his hands with The Odyssey, which is already his biggest critical hit, his biggest hit when it comes to audience reviews, and the biggest global opening of his 25-year career.

Oscar-winning director Christopher Nolan’s The Odyssey is overperforming big time with a $120 million opening weekend.

Director Christopher Nolan’s The Odyssey is shaping up to become the biggest triumph of an already triumphant career.

July 13 (UPI) — Lionsgate and Universal’s film Michael has passed $1 billion at the box office.

A-level names such as Martin Scorsese, Ben Affleck, Michael Caine, Matthew McConaughey, Darren Aronofsky, and Doug Liman have already jumped on board.

The Disney Grooming Syndicate’s live-action remake of Moana (2016) is headed for a box office disaster after Thursday night previews generated just $4.5 million.

The Disney Grooming Syndicate’s live-action version of Moana is getting hammered equally by critics and box office projections.

“Young Washington” grossed $7.65 million in just 2,700 theaters on America’s 250th birthday, beating “Toy Story 5.”

Until Hollywood returns to making movies for Normal People, Supergirls will continue to happen.

The Disney Grooming Syndicate is considering purchasing Lionsgate to win back males and families and to give its damaged franchises a rest.

Hollywood’s obsession with ignoring the differences between the male and female sexes is what has killed so many franchises.

The disgraced, far-left New York Times, is blaming “misogyny” for Supergirl’s humiliating and well-deserved crash-landing at the box office.

Despite all the naysaying critics, the Michael Jackson biopic, Michael, has just topped Oppenheimer to become the highest-grossing biopic of all time.

With a reported budget of anywhere between $750,000 to $5 million, writer/director Uwe Boll’s subversive and sometimes brilliant Citizen Vigilante is already a roaring success on all fronts.

“Supergir”l didn’t just flop at the box office this weekend; it is a flop of epic proportions, an abysmal failure that will be remembered only as a failure.

Supergirl is looking at a pitiful opening weekend of $40 million. That is dreadful for a movie with a break-even of $450 to $500 million.

With 141 reviews in, the critical consensus is that Supergirl is plain ole’ rotten, with just a 58 percent rating at Rotten Tomatoes.

This year, Hollywood put away the woke and Normal People returned to the movies.

The fifth installment in the Pixar series debuted with $160 million in domestic ticket sales, according to studio estimates Sunday, easily setting a new franchise record and notching the biggest opening weekend of the year.