The New York Times’ Nick Confessore (pictured, right) spills over 3,500 words to play guilt-by-association with Donald Trump’s candidacy and, in the process, provide several white supremacists their biggest platform ever — complete with dramatic photo portraits.
From the New York Times:
The chant erupts in a college auditorium in Washington, as admirers of a conservative internet personality shout down a black protester. It echoes around the gym of a central Iowa high school, as white students taunt the Hispanic fans and players of a rival team. It is hollered by a lone motorcyclist, as he tears out of a Kansas gas station after an argument with a Hispanic man and his Muslim friend.
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In countless collisions of color and creed, Donald J. Trump’s name evokes an easily understood message of racial hostility. Defying modern conventions of political civility and language, Mr. Trump has breached the boundaries that have long constrained Americans’ public discussion of race.
Mr. Trump has attacked Mexicans as criminals. He has called for a ban on Muslim immigrants. He has wondered aloud why the United States is not “letting people in from Europe.”
His rallies vibrate with grievances that might otherwise be expressed in private: about “political correctness,” about the ranch house down the street overcrowded with day laborers, and about who is really to blame for thedeath of a black teenager in Ferguson, Mo. In a country where the wealthiest and most influential citizens are still mostly white, Mr. Trump is voicing the bewilderment and anger of whites who do not feel at all powerful or privileged.
But in doing so, Mr. Trump has also opened the door to assertions of white identity and resentment in a way not seen so broadly in American culture in over half a century, according to those who track patterns of racial tension and antagonism in American life.
Read the rest of the story here.
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